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Martin Mass for Double Choir & Pizzetti Requiem


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The Bartholomew Consort

In this programme for unaccompanied voices , the two larger works share some points of detail:  both were composed in 1922 and both were the only unaccompanied choral works of their composers on liturgical texts.

For Martin, his Mass for Double Choir was a deeply felt and personal work, which he did not release for performance for forty years. His background was in the Calvinist church, his father being a minister, and this coloured his entire life and the characteristic of his creative work. The Mass was written and put away, protected for decades by Martin’s fervently held belief was that it was almost a blasphemy to perform such an intimate and private dialogue between God and himself.  His work is entirely his own, embracing the innovative ideas of the early twentieth century.

Pizzetti’s Requiem, on the other hand, is soundly based on the ideas of Gregorian chant and the fifteenth and sixteenth century Italian masters of polyphony. He introduces some vernacular flourishes by frequently changing the number of voice parts within a section, echoing the improvised folk-singing of his native north Italy.  It is not certain that Pizzetti held as strong a faith as that of Martin, but the spiritual intensity is just as strong.

The third, shorter, work in this programme is a communion motet by the prolific and hugely admired James MacMillan, published just ten years ago, Lux Aetern.

Duration: 1 hour with no interval

Book Tickets

  • Sun 3 Nov 4:00 PM £15.00
visit St Barnabas Church website

Book Tickets

  • Sun 3 November 4:00 PM

Frank Martin (1890 -1974) Mass for Double Choir

Ildebrando Pizzetti  (1880-1968)  Missa di Requiem

James MacMillan (b.1959)  Lux Aeterna

 

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