Antonio Vivaldi’s The Four Seasons is the most recorded work in classical music and a defining showpiece for solo violin. Each concerto depicts a different season, shaped by accompanying poems – possibly written by Vivaldi himself – and inspired by the vivid seasonal landscapes of artist Marco Ricci. Across the four concertos, Vivaldi transforms the natural world into vivid musical scenes, evoking birdsong and buzzing flies, harvest celebrations, drunken revellers, barking dogs, summer storms and winter ice.

Alongside this, Vaughan Williams’ The Lark Ascending, composed on the eve of the First World War, offers a more reflective perspective. Inspired by George Meredith’s poem, it captures a pastoral world on the brink of change, its soaring violin line suggesting a lark gliding high above the mechanised world below, “lost on his aerial rings / In light, and then the fancy sings.”

Mozart appears twice in the programme: first in the fizzing Overture to The Marriage of Figaro, and later in his Flute Quartet in D, originally written for a wealthy amateur flautist.

Unreserved seating by Area
To book the Arena Front please select VIP tickets
To book the Arena Middle please select Band A tickets
To book the Arena Rear please select Band B tickets
To book the Back Gallery Front please select Band A tickets
To book the Back Gallery Rear please select Band B tickets
To book the Side Gallery Front please select Band B tickets
To book the Side Gallery Rear please select Band C tickets

Wheelchair Spaces & Accessible Seating
If you require a wheelchair space or accessible seating please contact London Concertante direct via their website